Peter Max Explains Postmodernist Art Movement and Its Connection to Painting


Post-modernism is a very fascinating art movement. Essentially it is more of a way of seeing texts, art, and actions. For instance, a post-modernist artist could paint their whole body, and appear on stage, while a projector shows their paintings on a washed-out wall behind the artist or on the artist themselves.

Post-modernists have taken painting to an entire new level, and as a consequence, their art is not very long-lasting. For instance, a painting of a plate of shrimp that has real shrimp attached to it will spoil rapidly. Post-modernists see all painters as identical. They do not concur that masters such as Michelangelo or Leonardo da Vinci are better than the rest. To them, all the artists are one assemblage, not individuals. This analysis is not liked by many like Peter Max.

Some individuals may have definite post-modernist aspects in their work, but they do not have to consent with everything this movement believes in. Actually, most post-modernist artists do not even discern that they belong to such a movement; they basically enjoy experimenting with various styles and techniques. Abstract art is also acknowledged asa non-figurative painting that generally consists of a lot of lines, colors, textures, and forms. Abstract art has diverse aspects such as landscape, still life, urban landscape and so on, which are showcased very well in the exhibitions held at the abstract art galleries.

One much admired post-modernist method is to embrace the artist as part of the ‘item’ that is projected. Certainly, an artist can have more than one individual be part of their art work.

Modernism and post-modernism are analogous in many ways. At times, it is hard to distinguish just by looking at two paintings which movement they fit in to. Only very intense paintings can be classified within only one genre. Part of the exquisiteness of art is that it does not need to be labeled or logical. For example, certain artists project landscape receptivity in their abstract paintings, whereas the others make use of bolder colors and denser structures that often make the paintings complex and bizarre. Some of the artists also use stencil and brushwork to add layers to their abstract works, whereas the others make use of calligraphic gestures in their artwork.

Some artists enjoy assimilating things up and astounding their audience. Others want to discern the classics, and they endeavor to reach the masters’ exactitude and calculations. Art is meant to be discussed, enjoyed, speculated, and critiqued. Unlike spelling, there is no wrong or right way to produce art or to understand it. Art aficionados can hang anything they want on their walls as long as it makes them contented.

As Peter Max says, post-modernism is a little bit of everything – Dadaism, Futurism, Surrealism, Modernism, Literature, Acrylic Paintings, Photography, Music, and Architecture. According to Peter Max everything goes fine with paints, and if something cannot be put on a canvas, and then it can be highlighted over. This makes the world of the fine arts even more unpredictable, exciting, and extreme.


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